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Miguel Martin

  • Mar 22, 2025
  • 2 min read

Updated: Apr 2

Miguel Martin

Blackout


15 March, 2025





Menu:

Irish Stew

Wheaten

Fifteens


Transforming the porch of his Hastings home into a reflective space, Blackout reimagines its windows with graphics reminiscent of convenience store façades, merging the layered aesthetics of English shopfronts with the contents of West Belfast corner shops Miguel Martin grew up around. Drawing upon the legacy of these spaces during The Troubles (a period of sectarian conflict in Northern Ireland from 1968 - 1998), his work explores the intersection of memory, commerce, and refuge.


These shops were not just commercial spaces but essential lifelines for communities navigating curfews, blackouts, and street violence. During periods of heightened unrest, many stores were forced to close early, leaving families reliant on informal house-shops. The title Blackout references these enforced curfews, power cuts, and the visual obstruction of security shutters, symbols of both protection and imposed control.


Martin’s familial ties to this history run deep, with his grandfather and great-grandfather operating corner shops in West Belfast throughout this turbulent era. Blackout not only pays homage to these resilient community spaces but also explores the complex interplay between public and private realms, commerce, and identity. By situating the installation within his own home, Martin invites viewers to reflect on how façades, both literal and metaphorical, shape our perceptions and experiences.


About the Artist

Miguel Martin (b. Belfast 1985) is a visual artist whose work engages with the aesthetics of liminal spaces, internet folklore, and mediated identity, reflecting on how perception is shaped in an era of digital and physical overlap. His practice encompasses drawing, installation, and text-based works, often drawing from personal archives and collaborative exchanges. His recent projects include Between Two Worlds at 5th Floor Gallery, East Sussex College, Hastings (2024), REAL MAGIC at Aspace Gallery, East Sussex College, Hastings (2023), Let’s Do an Art! at The MAC, Belfast (2021) and Fire in the Middle at The Naughton Gallery, Queen’s University, Belfast (2020) as well as offsite group and solo projects in Hastings, Germany, Russia, Hawaii and Istanbul.



 
 
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